Important Update: November 25, Fall 2020 and Winter 2021 Terms to be conducted virtually. All on-campus support services remain virtual until further notice.
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Overview

Learning Methods
Film screenings teach students to watch and listen carefully, while following group discussions help students develop the confidence to share their ideas with others.

Major Focus
A major focus is on the development of a workable film vocabulary as well as critical thinking skills so that students can intelligently discuss and analyze influential works of cinema.

The AC Difference
Our passionate film Instructors foster a respectful, welcoming environment in which everyone can appreciate film art from around the world.

Career Outlook
Film Studies students may find employment in the arts at film institutions and/or festivals in the form of programming, curating, and producing.


Course Descriptions

Select a course below to see full descriptions. (#) Indicates amount of credits per course.

FILM 101 World Cinema (3)

This course examines selected historical and aesthetic developments in world cinema, with an emphasis placed on learning how to appreciate the medium of film. Students will become familiar with and learn to critique various directorial styles and film genres. The cultural, artistic and political contexts of national cinematic movements will also be examined. A series of foreign and North American feature and documentary films and clips will be screened during class.

Prerequisite(s):
ENGL 098

Transfers to:
UBC FIST 100 (3)
SFU GE 1XX (3)
UVIC AHVS 1XX (1.5)
UNBC ENGL 103 (3)
TRU FILM 1XXX (3)

FILM 102 Canadian Cinema

This course introduces students to the history of Canadian cinema and the study of film as an academic discipline. Students will trace the historical development of Canadian film, beginning with some of the earliest films made in Canada, through the founding of the National Film Board in 1939, and concluding with contemporary Canadian directors. Lectures, discussions, and film viewings will facilitate an understanding of the diverse nature of Canadian cinema. Students will be introduced to theories of national cinema, film genre, and auteurism as they explore a range of fiction films made in Canada by English, French, and Indigenous filmmakers, as well as animated films and documentaries.

Prerequisite(s):
ENGL 098

Transfers to:
SFU CA 1XX (3), Film
UVIC AHVS 1XX (1.5)
UNBC ENGL 104 (3)

Molly Lewis

Instructor

Molly Lewis

Instructor

Molly received her Master of Arts degree in Film Studies from the University of British Columbia in 2015.

Her thesis explored evocations of Henri Bergson’s philosophy of memory in the notorious AMC series Mad Men.

As a passionate academic interested in historical dramas, child/youth cinema, and literary adaptations, she has been invited to speak on the radio as well as at media studies conferences across North America.

Her first academic article on Rumble Fish, Francis Ford Coppola’s 1983 film adaptation of the young adult novel by S.E. Hinton, was recently published in Boyhood Studies: An Interdisciplinary Journal.

Katrin Bowen

Instructor

Katrin Bowen

Instructor

Katrin Bowen is a passionate teacher, and award-winning filmmaker.

She has taught and continues to teach Career classes for the acting, directing, and writing streams, Advanced Directing and Film History at Langara College, Directing and Acting at In Focus Film School, Screenwriting at Vancouver Film School, and is thrilled to be teaching world cinema at Alexander College.

Katrin directed her first feature film “Amazon Falls”, which went on to great critical success with a world premiere at TIFF, Best Feature Film Award at The Female Eye Festival, and Katrin won the vision award for best direction at the 2011 WIFTV Spotlight Awards. Katrin’s second feature film: “Random Acts of Romance” was nominated for four Leo Awards: Best Film, Best Director, Best Actor and Screenplay, and played at film festivals as diverse as Miami and Cameroon, Africa.

Katrin is an Alumnae of the University of California at Berkeley, The Cannes Producing Intensive, Women in the Director’s Chair, The Toronto International Film Festival Talent Lab and The Berlinale Talent Campus.

Kim Linekin

Instructor

Kim Linekin

Instructor

Kim Linekin has been a professional film critic for 20 years, sitting on critics’ juries at international film festivals and chairing the Vancouver Film Critics Circle.

She's currently the on-air pop culture columnist for CBC Radio. She has a kid and a dog and loves how much they love each other. Her favourite film is Harold and Maude, because it’s just so weird. She's also taught in the Communications department at Kwantlen Polytechnic and worked as a communications consultant.

She's currently the on-air pop culture columnist for CBC Radio. She has a kid and a dog and loves how much they love each other. Her favourite film is Harold and Maude, because it’s just so weird.

David Van Der Merwe

Instructor

David Van Der Merwe

Instructor

David Van Der Merwe is a screenwriter and film critic who loves to guide students through the exciting road of writing for film & TV.

Focusing on insight into story principles, he has helped writers strengthen their story structure, sharpen dialogue, and perfect their script format to sell/produce their screenplays.

After completing a Master of Fine Arts in Cinema and Television, David taught at the American University in the Emirates in Dubai, participated as an ongoing judge at screenplay competitions in Hollywood and is currently teaching Film at Alexander College, Metro Vancouver.

The National Film Board of Canada

Welcome to the best Canadian destination for point-of-view documentaries, animation films, interactive projects and Canadian films. Watch over 3,000 captivating documentaries, feature films and animation films for free.

www.nfb.ca


What Culture

50 World Cinema Movies You Need To See Before You Die

www.whatculture.com

Empire

Empire’s 100 Best Films Of World Cinema

www.listal.com


Canadian Films

The 50 Best Canadian Films Ever Made

www.rateyourmusic.com

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